Thursday 11 January 2018

“Bhraanthu” by Pamman – A Concoction of Revelations, Art, and Sex




Though it is possible for readers to differ if this novel is a classic, a great work of art, it is undoubtedly a distinct work. The novel is filled to brim with frankness and at times, overflows with it. Without beating around the bush and then trying to portray the bush as George Bush (like most of the reviews these days), let us come to the obvious – it is all about carnal pleasures, yes, sex. Different types of it. Yes. And all of it culminates in full-fledged insanity towards the end.
Ammukkutty is the female protagonist of the novel who belongs to the once rich-now shattered aristocratic family of Meleppaadathu. She isn’t liked by her classmates mainly because of her dark complexion and because she hails from the most prestigious family of the village. Her only solace is Krishnan Menon master who encourages her literary attempts. Ammu, a girl who has high libido, engages in sexual experiments with a lot of people around her. Eventually she gets married to her own cousin Appettan, who is a money-hungry officer living in Bombay. Ammu continues her experiments with sex wherever she goes and simultaneously becomes a celebrated writer. She gives birth to Unnikrishnan and lives a life full of existential dilemmas, only to end up being completely insane.

The novel comes with its inevitable flaws. In a frantic attempt to make Ammu have sex with every other character she comes across, the writer has forgotten about the existence of other characters. It seems that he must have thought that they aren’t very indispensable for the story. Ammu’s brother Unni, and childhood rival Padmini, for example are left unfinished. We are not told what have become of them. Abrupt endings of characters like this derails the novel’s ascension into being a classic (though the blurb of the book claims so).

Another core issue of the novel seems to be the creation of binaries and value judgements. While the novel tries to deconstruct the existence of value judgements through its storyline, the narrative and the metaphors implies the opposite. The irrelevant myth that manual laborers are unkempt (the fisherman who has intercourse with Ammukkutty), the colonial hangover which operates at the back of the writer’s mind makes him portray the American journalist James as a true lover and the only person in the whole novel with some depth, something beyond carnal instincts. Though Krishnan Menon master is an equally profound person, he never gets such a nice treatment. The novelist finds black colored crabs clinging on to the rocks in Mumbai as “shabby”. At the same time, he tries to establish that Ammu is beautiful despite her dark complexion. This double standard surfaces more often than not throughout the novel.

Having said all this, the novel does give food for thought. A few paragraphs from Sigmund Freud’s writing is quoted to establish the connection, in case if the reader is too innocent to pick up the random cues. Insanity is shown as the ultimate end of a person with high libido. Art stems from and is fueled by this libido. The novel implies that people who have an artistic bend of mind ought to be insane. This is the case with all women in the Meleppaadathu household, film director Balettan and other artists of his tribe who indulges in nothing less than an orgy and are perennially drunk in Bangalore, Krishnan Menon master, and most importantly Ammu. There is only one person in the entire novel who becomes insane not because of his sexual libido – Appettan. The reason behind this is that Appettan vents out a major share of his sexual libido and displaces it with his obsession with money. Another notable feature in the novel is Appettan’s silent agreement for Ammu’s sexual rendezvous. He remains unperturbed by her escapades, seemingly because his major concern is the money that can be extracted out of such illicit ties.

The readers are left to reflect for themselves if it is really the case that artists are always craving for inebriation of either drugs or sex. On the whole, the novel is a very readable one and raises questions of fidelity and morality. It clearly shows how these are mere constructs and how people circumvent and bypass such codes of conducts. Moral codes like this are not absolute and therefore, the individual need not adhere to it just because it is propagated in the society. The members of the society on the other hand, if considered individually, are not willing to subside their carnal, animalistic instincts (seen throughout the novel directly and through literary devices). Given a chance to live their erotic dreams, they are not stopped by any morale.  

What the novel fails to show is that a balance, a midpoint is possible between the two extremes of living a sexually and artistically cold life and being insane. This middle range must be the place where most of the people in the world occupy. The novel doesn’t show us any such characters. It deals with areas that are either black or white, not grey. In the real world, people do live according to their carnal instincts of flesh and inebriation, but also involve in other activities to carry life forward. Freud has pointed out the same thing in his writings. However, it is an individual’s choice to be intoxicated to the fullest perpetually or to engage in them when venting out is inevitable.